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Nobody's Sweeter Than "Sugar"
By Joe Rein
Growing
up, when the few blocks around the Brooklyn Navy
Yard was the entire universe and sports heroes rose
above the sky scrappers, and our only contact with
them were the bubble gum trading cards we carried
for currency, Sugar Ray Robinson was the supernova
that fired my imagination and life-long love for
boxing.
Even with all Roy Jones Jr's phenomenal gifts and
ringmanship, Robinson has meant so much in my life,
Jones could never take his place.
All of New York was a hotbed of boxing activity, and
as long as I could remember, people spoke in awe of
Robinson. His picture with gloves held low was on
fight posters tacked up all over the neighborhood.
Grainy shots of him in dinner clothes, flashing that
signature smile, hob-knobbing with celebrities,
graced the tabloids daily.

We crowded around the
radio to listen to his fights, and to catch glimpses of him in his fuchsia
Cadillac or when he was being mobbed in the streets for autographs.
Robinson was every
young boy's hero. When we play fought, we all wanted to be him. Robinson
captured the imagination of every boy as surely as Superman or Robin Hood. He
was movie-star handsome, gracious to opponents, soft-spoken, feted by royalty,
always in the presence of beautiful women...and the best fighter on the planet.
The first time I saw Robinson in the ring, my dad
took me to the old Garden in 46' to see him against
Tommy Bell for the vacant welter title.
Bell was no slouch, in his own right...and not the
least cowed by Robinson's reputation.

Robinson almost glistened in his corner waiting for
the bell. He was sleek and lean, with a dancer's
legs and long supple arms that looked even longer
because of his sloping shoulders. While the
introductions were being given, he windmilled his
right arm, like David getting ready to smite Goliath
with a sling.
Robinson and Bell were mirror images of each other
in style-- both standup boxer-punchers, though
Robinson enjoyed a few inches in height.
Bell fought with hands high and with a tighter
stance. Robinson's guard was lower and he was turned
slightly to the side, in a concession to defense,
but his stance was wider and gave him more leverage.
They dueled on pretty even terms for 15 rounds, but
to me, Robinson's punches had more authority and his
combinations were like the repeated crack of a
bullwhip.
Some people thought Robinson lost that night... it
was that closely contested, and Bell dropped
Robinson in the 2nd round with left hooks. Bell hit
the canvas in the 11th, and was almost stopped in
the 12th.
I
think like most people there, though, it was almost
impossible not to watch Robinson exclusively: Every
movement was as perfect for a fighter as Fred
Astaire was distinctive as a dancer. Robinson glided
over the canvas. And, even in the bitterest
exchanges, he had the baring of royalty. His
combinations were like flashes of fire to the head
and body; you could hear the THWACKS! echo through
the arena.
The die was cast: I couldn't wait to get to the gym
the next day.
After the Bell fight, I went with my dad and uncles
to all Robinson's fights in New York, Philly, New
Jersey, Wilkes Barre, Scranton and Connecticut, as
well as watching any bouts on TV that we couldn't
get to.
There were no end-zone dances by Robinson when he
dropped or KO'd somebody with a salvo. Usually, he
was almost turned away headed for a neutral corner
while they were falling. Like a hit man that knew
his job.
Whether it was third-tier guys like Floyd Sebastian
and Gene Buffalo, or the very best around, like
Georgie Abrams, Kid Gavilan, Steve Belloise, "Sugar"
Costner, Charley Fusari and Bo Bo Olson, Robinson
struck with the same lightening suddenness,
electrifying crowds.
There were times it seemed like Robinson's opponent
came into the ring with gloves and Robinson had an
assault weapon. Every one of his punches seemed like
he'd teed up the man's head and hit him full force
with a golf club. And he had the accuracy of a
sniper.
He fought in the trenches when he had to, beat-up
the brawlers, out-thought the boxers, could beat
anyone at their own game, but mostly dictated the
action, even when he was backing up. In short, he
could do it all. We'd have paid to see him hit the
heavy bag.

But what defines Robinson for me, and separates him
from fighters like Jones, who've totally dominated
the competition with other-worldly athletic ability,
is something very accessible: In many fights,
Robinson had to bite down hard on pain and adversity
and look within himself to find the courage to rage
back and win. Much like a parable for all of us in
the cheap seats.
Certainly, he was head and shoulders above everybody
else, but it made you want to root for him: Nobility
has always been in short supply...and he was
thrilling.
When Robinson dramatically ended a fight... as he
usually did, I couldn't wait to get home and relive
the moment in front of the mirror, supplying the
roar of the crowd myself.
At
the Uptown Gym and Stillman's --the General Motors
of fight factories-- where legends, amateurs and
journeyman went about the daily grind in a democracy
of sweat, everybody stopped what they were doing to
watch Robinson spar and do his floor exercises.
Robinson was always cordial, calling me by name,
showing me how to extend my jab by dipping a knee,
how to draw a right hand and counter over it...and
countless other tips and encouragement.
Robinson, at best, was only a friendly acquaintance;
I wasn't part of his clique. I was a kid; he was a
man--a giant figure on a world stage. And, I could
only fantasize about the richness of his life.

I tried to emulate everything about him, from what
he wore in the gym to his stance in the ring. But,
it did me no more good than trying to hit home runs
copying the stance of Ted Williams. And, as far as
his gym gear, no matter how I pulled and tugged, it
never looked quite the same on me.
Once after sparring a round, I looked down and saw
Robinson at ringside. He gave me a wink and an
approving nod. I couldn't have been prouder if I'd
won a title.
I
saw the arc of Robinson's whole career, from welter
to middle.. all of his title victories and losses,
the ticker tape parade down 5th Ave. after regaining
his middleweight crown from Turpin, and every other
glorious moment...until time and too many fights
reduced him to a mortal, and he was only a look
alike in his final days in the ring, eking out a
payday for the use of his name on a marquee.
Even in his very last fight in 65' against Joey
Archer, he showed flashes of the old Robinson...and
I was on my feet, hoping for a miracle, but it was
not to be; he couldn't pull the trigger often
enough.
I don't recant anything about Jones' brilliance, but
for me, there'll never be anyone sweeter than
"Sugar".
True, Robinson was far less heroic as a human being
than as a fighter...but, I still get chills thinking
of ring announcer Harry Balough, with his shellacked
hair and shiny tuxedo, grabbing the mic at center
ring in the old Garden and planting his feet, and
like a Prohibition orator in the halls of the Roman
Senate, trying to raise his voice over the 17000
fans straining on the edge of their seats to hear
him say:
"IN THIS CORNER...SUGAR...RAY...ROBINSON!!"

Questions? Comments?
Contact me at
johngarfield@fightworld.us
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